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Audio Drama Awards 2025

bbc broadcasting house



Awards for radio plays broadcast between Oct 2023 and Oct 2024.


The BBC Audio Drama Awards celebrate the range, originality and cut-through quality of audio drama on air and online and give recognition to the creativity of actors, writers, producers, sound designers and others who work in this genre.


The Awards are for:

• Best Original Single Drama
• Best Original Series or Serial
• Best Adaptation
• Best Podcast Audio Drama
• Best Actor
• Best Actress
• Best Supporting Performance
• Marc Beeby Award for Best Debut Performance
• Best Use of Sound
• Best Scripted Comedy (Longform)
• Best Scripted Comedy (Sketch Show)
• Best European Audio Drama

  • =shortlisted; # = Finalist.


    Best Original Single Drama

  • Franz and Felice by Ed Harris, producer Sasha Yevtushenko, BBC Studios Audio London
  • Nearly Light by Kit Withington, producer Polly Thomas, Naked Productions
  • Southall Uprising by Satinder Chohan, producer Nadia Molinari, BBC Studios Audio Salford
  • The Call by Ron Hutchinson, producer Eoin O’Callaghan, Big Fish Radio
  • The Invitation by Katherine Chandler, producer John Norton, BBC Audio Wales & West
  • Turning Point: Mae West by Tracy-Ann Oberman, producer Liz Anstee, CPL Productions


    Best Adaptation

  • Antigone by Jean Anouilh, adapted & produced by Pauline Harris, BBC Studios Audio London
  • Dog in the Manger by Lope de Vega, adapted by David Johnston, producer John Norton, BBC Audio Wales & West
  • Don’t Look Now by Daphne du Maurier, adapted by Katie Hims, producer Sally Avens, BBC Studios Audio London
  • Love and Information by Caryl Churchill, producer Jessica Dromgoole, Hooley Productions
  • Song From Far Away by Simon Stephens and Mark Eitzel, adapted by Simon Stephens, producer Polly Thomas, Thomas Carter Projects
  • Tam O’Shanter by Robert Burns, adapted by Gary McNair, producer Kirsty Williams, BBC Audio Scotland


    Best Original Series or Serial

  • Central Intelligence by Greg Haddrick, producers John Scott Dryden and Emma Hearn, Goldhawk Productions
  • Cobalt by Eno Mfon and Darragh Mortell, producer John Norton, BBC Audio Wales & West
  • English Rose by Helen Cross, producer Mary Ward-Lowery, BBC Audio Wales & West
  • Faith, Hope and Glory by Carol Russell, producer Patricia Cumper, BBC Studios Audio London
  • Life Lines by Al Smith, producer Sally Avens, BBC Studios Audio London
  • Money Gone by Ed Sellek, producer Eloise Whitmore, Naked Productions


    Best Actor

  • Sean Bean, Antigone, director Pauline Harris, BBC Studios Audio London
  • Thomas Brodie-Sangster, Unsinkable, directors Misha Crosby and John Mawson, Datura Studios & North Atlantic Ridge with B7 Media & Audiomarvels
  • Ed Harris, Central Intelligence, director John Scott Dryden, Goldhawk Productions
  • Wil Johnson, Talawa Stories: Babydyke, director Tian Brown-Sampson, Talawa Theatre Company
  • Rory Kinnear, Ivanov, director Toby Swift, BBC Studios Audio London
  • Will Young, Song From Far Away, director Polly Thomas, Thomas Carter Projects


    Best Actress

  • Cecilia Appiah, Oleanna, director Gary Brown, BBC Studios Audio Salford
  • Michelle Fairley, Hello, I Appear to Have Killed My Husband, director Kirsty Williams, BBC Audio Scotland
  • Mared Jarman, Tether, director Fay Lomas, BBC Audio Wales & West
  • Rosy McEwen, Antigone, director Pauline Harris, BBC Studios Audio London
  • Kate O’Flynn, Spores, director Nicolas Jackson, Afonica
  • Danusia Samal, The Missed Lives of Max & Judy, director Jonathan Mitchell, Goldhawk Productions


    Best Comedy Performance

  • Rosie Cavaliero, The Train at Platform 4, producer James Robinson, BBC Studios Audio
  • Sian Clifford, Time of the Week, producer Ben Walker, DLT Entertainment
  • Miles Jupp, Our Man in Havana, director Tracey Neale, BBC Studios Audio London
  • Colin McFarlane, The Many Wrongs of Lord Christian Brighty, producer Darren Smith, DLT Entertainment
  • Heath McIvor, Randy Feltface’s Destruction Manual, producer David Tyler, Pozzitive
  • Frank Skinner, Do Gooders, producer Jules Lom, Avalon
  • Tom Walker, Call Jonathan Pie – The American Dream Part 2, producer Alison Vernon-Smith, Yada-Yada Audio Productions


    The Marc Beeby Award for Best Debut Performance

  • Bel Odawa, A Grain of Wheat, director David Morley, Perfectly Normal Productions
  • Nicole Miners, Camlann, producer Amber Devereux, Tin Can Audio
  • Emma Leah Golding, Almonds and Raisins, directors Jessica Mitic and Gary Brown, BBC Studios Audio Salford
  • Unique Spencer, Talawa Stories: The Master’s House, director malakai sargeant, Talawa Theatre Company
  • Mae Munuo, Tribe of Two, director Jesse Fox, Afonica
  • Christian Brighty, The Many Wrongs of Lord Christian Brighty, producer Darren Smith, DLT Entertainment


    Best Sit Com or Comedy Drama

  • Call Jonathan Pie – The American Dream Part 2 by Tom Walker with Daniel Abelson and Will Franken, producer Alison Vernon-Smith, Yada-Yada Audio Productions
  • Crybabies Presents….Bagbeard by Michael Clarke, James Gault and Ed Jones, producer Joe Nunnery, Boffola Pictures
  • Do Gooders by Garrett Millerick, producer Jules Lom, Avalon
  • Green Wing: Resuscitated by Victoria Pile, Robert Harley, James Henry, Oriane Messina and Fay Rusling, producer Ed Morrish, Novel
  • Icklewick FM by Chris Cantrill and Amy Gledhill, producer Benjamin Sutton, Daddy’s Superyacht Productions
  • Rum Punch by Travis Jay, producer Daisy Knight, Avalon


    Best Stand Up or Sketch Comedy

  • Geoff Norcott’s Working Men’s Club by Geoff Norcott, producer Ed Morrish, Pier Productions
  • I Don’t Know What to Say by Laura Smyth, producer Sasha Bobak, BBC Studios Audio
  • It’s a Fair Cop by Alfie Moore, producer James Robinson, BBC Studios Audio
  • Janey Godley: the C Bomb Series 2 by Janey Godley with Ashley Storrie, producer Richard Melvin, Dabster Productions
  • Mark Steel’s in Town by Mark Steel and Pete Sinclair, producer Carl Cooper, BBC Studios Audio
  • Munya Chawawa’s Election Doom Scroll by Munya Chawawa, Matthew Crosby, James Farmer and Joe McArdle, producers Jo Maney and Ben Wicks, Expectation TV
  • What’s the Story, Ashley Storrie by Ashley Storrie, producer Julia Sutherland, Dabster Productions


    Best Use of Sound

  • From Morning to Midnight, sound by Jon Nicholls, producer Saskia Black, Almost Tangible
  • Money Gone, sound by Eloise Whitmore, producer Tony Churnside, Naked Productions
  • Restless Dreams, sound by Eloise Whitmore, producer Eloise Whitmore, Naked Productions
  • Song From Far Away, sound by Jon Nicholls and John Merriman, producer Polly Thomas, Thomas Carter Projects
  • The Missed Lives of Max and Judy, sound by Jonathan Mitchell, producer Emma Hearn, Goldhawk Productions
  • The Skewer, sound by Jon Holmes and Tony Churnside, producer Jon Holmes, Unusual Productions


    Best Podcast Audio Drama

  • Central Intelligence by Greg Haddrick, producers John Scott Dryden and Emma Hearn, Goldhawk Productions
  • Doctor Who – the Eleventh Doctor Chronicles by Georgia Cook, Max Kashevsky and Alfie Shaw, producer Alfie Shaw, Big Finish Productions
  • In a Manner of Speaking by Tony Green, producer Clare Bedford, Springline Productions
  • Misper, written and produced by Lew Bradley
  • The Skies Are Watching written and produced by Jon Frechette and Todd Luoto, Goldhawk Productions


    Best European Drama

  • Mini Pig by Urmas Vadi, producer Tiina Vilu, ERR Estonian Public Broadcasting
  • Night Flights by Philippe Verkinderen, producer Grietkin Deroo, Minds Meet & VRT Max Belgium
  • Pale Hours by Manuela Tomic, producer Elisabeth Zimmermann, ORF Austria
  • The Fall of Lapinville by Benjamin Abitan, producer Chloé Asous-Plunian, Arte Radio, France
  • The Sister of Job by Marta Rebzda, producer Beata Jankowska, Polish Radio Theatre
  • You Didn’t Bargain With Dolores by Tucké Royale, producer Juliane Schmidt, RBB Radio Berlin Brandenburg, Germany


    Congratulations to all who have made it to the shortlists. The finalists will be announced in mid-February, along with the Imison and Tinniswood Awards. Finalists will be sent information at that point about invitations to the winners’ ceremony in the BBC Radio Theatre on Sunday 30 March 2025.


    The BBC Audio Drama Awards cover audio dramas first broadcast in English in the UK between 1 October 2023 and 31 October 2024 or first uploaded/published/released for free listening online in the UK during the same period. Productions may be entered from anywhere in the world subject to these criteria. In addition, the Best European Audio Drama welcomes dramas in other languages than English.


    Entries were welcome from all makers of audio drama, and were not restricted to BBC broadcasts. Each programme producer could enter up to four categories (one entry only per category). The audio drama had to be submitted exactly as broadcast or uploaded. There was no entry fee.


    The Imison Award is administered by the Society of Authors and the Tinniswood Award by the Society Of Authors and the Writers’ Guild. I am expecting shortlists for these awards probably mid-Feb.

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