Richard Wortley Radio Plays
This is the page I originally wrote about the UK's most experienced radio producer...Richard subsequently supplied me with a fifteen thousand word essay on his radio career, and this is on the associated pages. To get to them, click on Some Reflections on a Lifetime in Radio Richard Wortley is an Oxford graduate in Modern History who has followed a career in directing radio drama with 3000 plays to his credit. His latest was a study of Van Gogh in March 2003. He won the Italia Prize for radio drama with "Scenes from an Execution" by Howard Barker, starring Glenda Jackson. The actors he has worked with include Peggy Ashcroft, Peter Jeffrey, Judi Dench, John Gielgud, Corin Redgrave, Anthony Hopkins, Bill Nighy, Eleanor Bron and Juliet Stephenson. Like many experienced radio producers, Richard Wortley can turn his hand to most kinds of radio drama. But he is often associated with plays which are a little unusual. If you hear a play with a surreal plot, and which can only be done on radio, there's a good chance that Mr. Wortley is in charge. For example: NOTHING PERSONAL, by Perry Pontac, is the play about the bank manager with links to the eskimo community and stars Norman Bird as Mr. Pinsley-Weatherthorne along with Stephen Thorne and Caroline Gruber. A DIFFERENT WOMAN , also by Perry Pontac, is in a similar mould. "You'd look, I'm sure, quite lovely without your glasses, Miss Dinnage. And without your nose, those particular teeth, and of course with a body considerably re-designed and re-proportioned ..." A pompous plastic surgeon proposes marriage to his dowdy receptionist in order to use her as a showcase for his talents, remodelling her from top to bottom into a "different woman" indeed. A deliciously macabre bit of nonsense in which the author casts a jaundiced eye over the world of cosmetic surgery, and Richard Wortley again directs. Here are some short reviews of his work: HAPPY DEATHDAY TO YOU....1972
TOTALLY GUTTED....1991, by Alick Rowe:
TESTOSTERONE I SING, by Steve May:
A beautiful little play, Ninety Percent Penetration in Finland, by C.Seal and D. Black (R4 1415, 2 Mar 01) was a love story with a difference; two people seek refuge in the same telephone box during a storm. They are six inches apart, but can they communicate with each other? This story was similar to a more unpleasant but equally well-written play by Emma Clarke and directed by Richard Wortley, Shaft (R4 1415, 26 Feb 01), where a man and a woman are stuck in a lift for a night. Mr. Wortley has directed 3,000 plays over a long career, and perhaps opportunities for the more unusual have diminished slightly. But whenever you see his name attached to a play, you can be sure that it has a decent script and will be well worth hearing. Nigel Deacon OTHER RICHARD WORTLEY PLAYS
SWIMMER ....c1985
...........John Spurling wrote an interesting biographical play about the Compton-Burnett family entitled "A Household in Hove" (R4, 1415, 19 Apr 02). Ivy Compton-Burnett's novels of family life were written late in her life, and she said that her early years in Sussex had been uneventful. John Spurling's wife, Hiliary, is Ivy Compton-Burnett's biographer; she appears in the play and reveals that the first part of Ivy's life was so traumatic that she could only come to terms with it by writing. Richard Wortley directed. DEAR BROTHER...,by Penny Gold (R4 2 Apr 03 1415)was a well-cast dramatisation of the last years of Vincent van Gogh, broadcast to coincide with the 150th anniversary of his birth. It was based on letters and memoirs of the time, including those to his brother Theo, who was also his friend, his mentor and his picture dealer. After settling in the sunny climes of Arles, Van Gogh hoped to establish a community for struggling artists with his friend and fellow painter Paul Gauguin, but Gauguin was not impressed, and soon returned to Paris. Theo continued to help and encourage his brother, but Vincent was now mentally ill, and the remaining letters mirror his decline. Robert Glenister was van Gogh, with Jonathan Firth as Theo, Kika Markham as Joanna, and Kenneth Cranham as the irritable Gauguin. The director was Richard Wortley. MONEY WITH MENACES....2004
OLD MAN GOYA....2005
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